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“He knows what it’s like to have to sell a song in front of a big crowd.

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Her second album, 2004’s Under My Skin, debuted at No.

1 on the Billboard Top 200, and sold more than eight million copies worldwide fueled by the hit singles “Don’t Tell Me” and “My Happy Ending.” Four years later came The Best Damn Thing, which featured the No.

Though devoted to her creative and philanthropic endeavors, music still comes first for Lavigne, who has just released her fifth album, simply titled Avril Lavigne. In the studio it was Chad, myself, and Dave Hodges. We’d wear top hats and smoke cigarettes and order pizza and lay on the floor and write a song every day, just laughing our asses off. It just grew from there.” With a new husband, a new album, and yet another world tour approaching in 2014, Lavigne is thoughtful about her success, which she attributes to staying true to who she is.

It finds Lavigne working with new collaborators (Chad Kroeger and David Hodges, with whom she wrote eight songs, as well as Martin Johnson, J Kash, Matt Squire, and others) and experimenting with a wide range of sounds, from nostalgia-tinged, carefree pop (“Here’s To Never Growing Up,” “Bitchin’ Summer,” “17”) to unapologetic rock (“Rock N Roll,” “Bad Girl,” featuring Marilyn Manson) to sassy dub-step-flavored pop (“Hello Kitty”) to her trademark epic ballads, “Hush Hush” and “Let Me Go,” a duet with Nickelback’s Kroeger, whom she married in July 2013. To put two people in a room who have the exact same life made sense. When asked what she would say to her 17-year-old self just getting started in the music business, she replies: “I would say just be yourself.

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Introduced by Lavigne’s manager, who thought they’d be a good writing team, the two fell in love over the course of making the album. Do what you want to do and don’t let anyone change you.